Selfie With Muslim League Members

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Selfie With Quaid Azam

Create a hyper-realistic iPhone selfie that appears natural and casually taken — clear, front-facing, and well-composed, as if snapped spontaneously. The photo shows me standing next to Quaid Azam, both of us relaxed, mid-smile or casually composed. The image is in classic black and white, with subtle vintage film grain and soft contrast, emulating the look of 1940s photography.Both subjects are dressed in era-appropriate formal attire. Quaid Azam wears his traditional 1940s-style suit, while I am dressed in a sharp, black vintage suit typical of the era — think wide lapels, crisp tailoring, and perhaps a pocket square or tie, all styled to match the 1940s South Asian fashion.The background features a 1940s Pakistan street scene, with old colonial-style buildings, classic signboards in Urdu/English, early model cars, rickshaws, and softly glowing streetlamps. The atmosphere is lively but historically accurate, immersing the scene in that mid-20th-century feel. Important: Keep my original facial features exactly as provided — no changes to my expression, structure, or skin tone. The result should feel like a genuine moment — a modern selfie, perfectly transported into a vintage black-and-white world.

Selfie With Allama Muhammad Iqbal

Create a hyper-realistic iPhone selfie that appears natural and casually taken — clear, front-facing, and well-composed, as if snapped spontaneously. The photo shows me standing next to Allama Muhammad Iqbal , both of us relaxed, mid-smile or casually composed. The image is in classic black and white, with subtle vintage film grain and soft contrast, emulating the look of 1940s photography.Both subjects are dressed in era-appropriate formal attire. Allama Muhammad Iqbal wears his traditional 1940s-style suit, while I am dressed in a sharp, black vintage suit typical of the era — think wide lapels, crisp tailoring, and perhaps a pocket square or tie, all styled to match the 1940s South Asian fashion.The background features a 1940s Pakistan street scene, with old colonial-style buildings, classic signboards in Urdu/English, early model cars, rickshaws, and softly glowing streetlamps. The atmosphere is lively but historically accurate, immersing the scene in that mid-20th-century feel. Important: Keep my original facial features exactly as provided — no changes to my expression, structure, or skin tone. The result should feel like a genuine moment — a modern selfie, perfectly transported into a vintage black-and-white world.

Group Selfie with Quaid Azam & Allama Iqbal

Create a hyper-realistic old camera on 1940s selfie that appears natural and casually taken — clear, front-facing, and well-composed, as if snapped spontaneously. The photo shows me standing next to Allama Muhammad Iqbal & Quaid Azam , all of of us relaxed, mid-smile or casually composed. The image is in classic black and white, with subtle vintage film grain and soft contrast, emulating the look of 1940s photography.all subjects are dressed in era-appropriate formal attire. Allama Muhammad Iqbal & Quaid Azam wears their traditional 1940s-style suits, while I am dressed in a sharp, black vintage suit typical of the era — think wide lapels, crisp tailoring, and perhaps a pocket square or tie, all styled to match the 1940s South Asian fashion.The background features a 1940s Pakistan street scene, with old colonial-style buildings, classic signboards in Urdu/English, early model cars, rickshaws, and softly glowing streetlamps. The atmosphere is lively but historically accurate, immersing the scene in that mid-20th-century feel.Important: Keep my original facial features exactly as provided — no changes to my expression, structure, or skin tone. The result should feel like a genuine moment — a modern selfie, perfectly transported into a vintage black-and-white world.

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